PictureCredit
Sc. 01 The particle

Real light.Imagined worlds.

We direct light, and sometimes we invent it. Films, photographs and worlds that never happened, made in Lucknow.

Scroll to roll film

Every frame is planned, not random.

Craft over crowd · Intention over noise
Sc. 02 The river

The work, in one current.

Case study Documentary

160 km on foot. Twelve days in Kashmir.

Ultra Marathon is a documentary by PictureCredit about Lt Col Barsha Rai (retd). A fourth-generation soldier, commissioned into the Army Service Corps in 2010, she ran 160 km from Srinagar to the Kargil War Memorial in Drass, over four days in July 2024, to mark 25 years of Kargil Vijay Diwas and to honour the soldiers who did not come back.

I led the creative direction, shot as part of the camera team, and directed the crew to turn those four days into a 21-minute documentary about what gave the distance meaning. The premise was simple: one runner, four days, 160 kilometres. The film asks why.

Watch the documentary ↗

Trailer · the full film is on YouTube
160km, Srinagar to Drass
4days on the road
11,649ft, Zojila Pass
12days on location
Why she ran

She was in Class 7 when the Kargil War began and her father left with his unit. Twenty-five years later she chose to mark it on foot. The film lets the distance earn attention, then gives that attention to the people she ran to remember.

Opening at the destination

The film begins with the mountains, the flag and the memorial stones, before the run starts. Once you have seen the names, every stretch of road is taking her somewhere specific.

After the finish

The arrival at Drass is the physical ending. The conversation that follows is the emotional one: what it takes to pursue a goal others call unrealistic, and how many people it took to get her there.

Barsha Rai and a runner under the Zojila Pass sign, 11,649 ft
Zojila, 11,649 ft
Barsha Rai from behind, facing the flag and mountain at Drass
Drass, before the salute
Barsha Rai saluting at the Kargil War Memorial
Kargil War Memorial
Barsha Rai running on a mountain road
On the road

Film: PictureCredit · Led by Ashish Dev (creative direction, documentary direction, camera) with the PictureCredit team

The edit, in three dimensions · drag, or move your cursorSchematic of the real Final Cut library: raw footage sorted by shoot day, feeding the 21-minute story. The real timeline plays above.
Direction and final call

Story, structure and the last word on every cut. One person held the film from the first idea to the last frame.

Visual style and crew

Two scales: wide frames for what the route asks of a runner, close frames for what it costs. The route map returns between stretches so you always know where she is.

Content strategy

One documentary at the centre, and short cuts around it: her reason for running, the climb at Zojila, who made the run possible. Each leads back to the full film.

In the press. The run was independently covered by India Today / PTI and The Telegraph. Route: Srinagar, Wusan, Sonamarg, Zojila, Matayen, Drass. She was joined in stretches by the Chinar Warriors.

The Telegraph clipping: Barsha runs 160 km in Kashmir
The Telegraph
Malayalam newspaper clipping on the 25th anniversary of Kargil Vijay Diwas
Malayalam daily
Newspaper clipping: Sacrifices will not go in vain, with PTI photo of Lt Col Barsha Rai at Zojila
DC · PTI photo
Sc. 03 The eclipse

A small studio with a very large sky.

PictureCredit is a film & visual direction studio creating intentional visuals for brands that value depth.

We are a small, focused collective of filmmakers, photographers, designers and visual thinkers. Each project brings together the right minds, not just more people.

Founded by Ashish Dev, who directs, shoots and cuts. We carry a piece from the first idea to the last frame: script, camera, edit, colour, sound, and, when the story needs a world that was never built, AI.

We believe in thoughtful visuals, not visual noise. We take time, ask questions and build with purpose.

01

Concept

The idea, the treatment and the reason it should exist.

02

Pre-production

Script, casting, locations, crew and a plan for every frame.

03

Production

Camera, light and direction. On the ground, in the air, or in AI.

04

Post

Edit, colour, sound, VFX and delivery for every platform.

Lab Organic reach, on purpose

We study what spreads. Then we build it with AI.

No ad spend behind any of these. Each one picks an audience that already exists, changes one thing, and makes the share the point. Here is the thinking behind three of them.

Entertainment · AI fan concept

India’s Got Investment

1M+ views in 24 hours · 4,000+ shares

The thinking. A cult comedy show already has millions of people who feel they own it. We did not ask them to care about something new. We put a business-pitch format inside a show they love, cast it with faces they argue about, and ended on a beat nobody expected. People do not share a video to say “this is good”. They share it to say “look at this, you need to see it”.

Cinema · AI character swap

Hanuman Ansh, before and after

1M+ views in 24 hours · 130K+ likes

The thinking. A before and after is the oldest honest format there is. The viewer sees the original, then the change, and decides for themselves that it is real. We took a character people already remember from a film, swapped it with Higgsfield Genjutsu and graded it in After Effects. The proof is on screen, so there is nothing to explain and nothing to sell.

Lead generation · AI ad film

Band Baza Barat

54K views in 2 days · on the brand’s own Instagram

The thinking. For most families, planning a wedding feels like survival. So the ad starts there: a lost, starving tribe on a dark mountain. It is strange enough to stop a thumb and cinematic enough to keep it. Then one calm person with an ID badge walks in, and the wasteland becomes a candlelit mandap. The pitch, a single window for wedding arrangements, is never announced. The viewer feels the relief first and only then sees the name. Built for leads, not for likes.

01
Borrow an audience

A show, a film, a ritual. Something people already love, so we do not start from zero.

02
Change one thing

One twist, not ten. A new cast, a new world, a new ending. Enough to stop a thumb.

03
Make the share the point

Design for the message the viewer sends, not the one we send them.

India’s Got Investment is an AI-generated fan concept made for entertainment. It is not real or official footage and does not depict real events. Hanuman Ansh is credited to its original film; this edit is inspired by it.

Motion Explainers and openers

Flat shapes, one idea, thirty seconds.

A paper-cut system built in code: warm paper, one red accent, one line of type per beat. Two explainers that teach something in half a minute, and an opener made to launch a tea brand.

Explainer · History · 30s

Jagat Seth, Banker of the World

The thinking. History is easiest to remember as a story with a betrayal in it. The film runs from a banking house that funded Bengal to Plassey, to 1763, and ends on one line: they funded the empire that outgrew them. Every beat is one date or one claim, so it can be read as fast as it plays.

Explainer · Philosophy · 30s

They raised a boy to be a messiah

The thinking. The hook is the whole story in one sentence. J. Krishnamurti was raised to be a World Teacher, then dissolved the order built around him in 1929. The last line turns it on the viewer: and you are still scrolling for a teacher. The idea lands because the feed itself is the example.

Brand opener · Launch · 30s

Chai Bolo Chai, Ek Line

The thinking. A tea brand opening in Lucknow does not need a speech. A kettle pours, the stream becomes one red line, and the line draws the map from stall to stall until it lands as a pin on Gomti Nagar. One shape carries the whole message: opening soon, franchise available, call this number. Brand line: “kal se kal ke Bharat tak”.

Sc. 04 The deep

What we make

  1. 01

    Brand films

    Stories that carry a brand without shouting it.
  2. 02

    Commercial advertising

    Ads built for feeds, screens and broadcast.
  3. 03

    Documentary production

    Real people, real places, told with patience.
  4. 04

    AI films & visual worlds

    Worlds that would be impossible to shoot.
  5. 05

    Music videos

    From qawwali to festival stages.
  6. 06

    Photography

    Editorial, fashion, product, automotive, hospitality.
  7. 07

    Cinematography

    Including aerial cinematography.
  8. 08

    Creative direction

    One visual language across every touchpoint.
  9. 09

    Post-production

    Edit, colour, sound and VFX.
  10. 10

    Content strategy & delivery

    The right cut for the right platform.

Strategy and production, aligned

Creative strategy and production under one roof, so the film matches the goal.

High quality, on time

Tight timelines without lowering the standard.

Scales with you

One film or a full campaign of assets.

Pay for what you need

Pick only the services the project actually needs.

Sc. 05 The orbit

Brands & projects in our orbit

Fashion, culture, health, schooling, and artists working on their own. We take what we believe in, and finish it properly.

Sc. 06 Home

Begin a conversation.

We like ideas that keep a little silence. If yours lives somewhere past the obvious, tell us about it.

Studio
Chowk, Lucknow, Uttar Pradesh 226003. Map ↗
Based in
Lucknow. We work wherever the story is.
Ashish Dev
@ashishdevv ↗

The whole universe was one frame.
The rest of the reel is yours.